I’ve been a visual storyteller since I first discovered crayons. I didn’t care if the canvas was a piece of copy paper, the inside cover of my bedtime stories or my bedroom wall (which I once labeled with my name in what my mom has always recalled as, "perfect six-inch letters."
That illustrator's heart never went away and now fuels my graphic design. For me, design is art with a specific job. Whether crafting bold, narrative-driven advertisements for an event or sleek, professional branding, my goal is to make the visuals interesting enough to catch the attention of the viewer while ensuring the message is unmistakably clear. I don't adhere to a single style; I adapt my aesthetic to the unique soul of the project.
Created a faux ad for a co-worker who got a Johnny Mathis CD stuck in his car's player and couldn't get it to stop. Image of Johnny Mathis, image of the car and the signature were pulled together to create this.


Folk Art Catalogue Page (2 of 2)
I led the end-to-end layout for this national folk art exhibition’s official 156 page publication; including Editorial Design, Print Production and Visual Storytelling. From the first grid to the final print run, I designed every page to ensure the folk art, the artist and their story took center stage. The catalogue was a commercial success, sold on-site as the definitive record of the exhibition.


Ai manipulated photo I took of the life-size replica Town Square at the Harmon Museum. The prompt was basically to turn it into a Christmas village. I expanded the image and added text after.
